PROCESS OF FEATURE PAGE
PART 1. THE MODEL
1. To begin, I created a new photoshop document in the size of A3, a double page.
2. I then imported the picture I was going to use.
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3. The next step was to adjust the brightness and contrast.
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4. Using the dodge tool, I whitened the teeth.
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7. I overlaid the layer so that it was not as strong.
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12. As the models' arm was not quite right for a magazine, I used the warp tool.
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THE MODELS' SKIN BEFORE |
16. On the layer created, and using the skin tones, I painted onto her face with the paintbrush tool.
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17. I then used the smudge tool to blend them together, and turned the opacity of the layer down.
PART 2. LAYOUT
2. I then set the box layer to exclusion.
3. Using the text tool, I typed 'Getting to know green' in turquoise and different sizes
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6. The next step was to copy and paste my article into a text box, which I resized.
7. Following my flat plan, I shaped the text around the model by pressing enter on each line when the writing came close to her.
8. At the bottom of the article, I wrote my name and website, with the features of text as to the left.
9. I tried the text in turquoise, but I wasn't too keen on it.
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11. In both bottom corners, I put the page number and web address of my magazine.
12. I went onto the website 'DaFont' and picked out a font of which was appropriate.
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14. After putting all of the lines together, I set the layer to exclusion.
Nicole demonstrates evidence of excellence in the creative use of most of the following technical skills:
ReplyDelete␣ Producing material appropriate for the target audience and task;
␣ showing understanding of conventions of layout and page design;
␣ showing awareness of the need for variety in fonts and text size;
␣ accurately using language and register;
␣ using ICT appropriately for the task set;
␣ appropriately integrating illustration and text;
␣ shooting a variety of material appropriate to the task set;
␣ manipulating photographs as appropriate to the context for presentation, including cropping and resizing.
She also demonstrates proficient organisation of actors, locations, costumes